If you want to adjust a single color in your image, Cinema Grade will qualify the region, and only make the adjustments to the colors you selected. Cinema Grade automatically selects the luma range based on what part of your footage you clicked on. The same can be done with your highlights, midtones, and saturation. If your shadows are too bright, just click and drag on them to darken that part of your image. While creatives can use the Lightroom-inspired menu on the left, Cinema Grade works best when making adjustments right on your footage. These three sections encompass the entire workflow of Cinema Grade to keep things speedy in the edit bay. In the middle top of the viewer, users will find a page for the Base Correction, a Shot Matching page, and the Final Grading page. Users can work their way from left to right in order to make changes to exposure, then color temperature, and finally finish off with saturation and color adjustments. It covers everything you'll need for exposure, white balance, saturation, and secondary color changes.Ĭinema Grade helps with the process of color grading by providing you with a workflow using the progression that is found on the top left of the viewer. In the new viewer window, you'll see your footage, as well as a menu system on the right where all of your adjustments can be made using a Lightroom-inspired toolset. We took a look at Cinema Grade in Final Cut Pro by dropping into onto our footage like an effect and then opening the control panel in the inspector. (Sorry, Avid users.) While the workflow is similar between Adobe Premiere and Final Cut Pro, there are a few differences in the Resolve version. Initially released on the Mac for Adobe Premiere, Final Cut Pro X, and DaVinci Resolve, Cinema Grade is now officially available for Windows users as of today.īut how does Cinema Grade stack up against the heavyweights? Let’s find out.Ĭinema Grade works as a plugin for the big three NLEs. Creator Denver Riddle hopes his plugin will make the process of color grading you're footage more intuitive, and, according to Riddle’s claims, three times faster. Especially when it comes to DaVinci Resolve.įor beginners, or creatives that just need a touch of color, the color grading tools from the big three NLE software packages can be an obstacle to the creative process. Each one has a robust set of built-in tools for color grading, but the workflow is handled in slightly different ways. Installing them is easy, using them is easy, and each plugin stills allows you to fine-tune/edit each animation. If you're a Final Cut Pro or Davinci Resolve user, I highly suggest giving MotionVFX plugins a try.Final Cut Pro X, Adobe Premiere, and DaVinci Resolve have reigned in the editing space. Although they are a sponsor, I can honestly say they make the best plugins I've ever used for any video-editing software. The other thing I've been playing with in Final Cut has been more plugins by MotionVFX. After spending the day playing with it, I no longer feel that Final Cut is at a major disadvantage in this area. Although Premiere does have more color grading tools, Final Cut has the most important and standard tools. In the video above, I took a deep dive into color grading in Final Cut. How is this done in Final Cut Pro? What am I missing? Premiere lets you open multiple projects and/or multiple editing sequences simultaneously, and you can drag clips among them all. In many cases, I am editing hours of footage, and moving a two-second clip among four hours of footage by dragging it around a single timeline is a nightmare. At the moment, my biggest issue with Final Cut Pro is its inability to work on two or more sequences simultaneously.
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